{"id":24,"date":"2025-03-25T09:00:00","date_gmt":"2025-03-25T07:00:00","guid":{"rendered":"https:\/\/blogit.utu.fi\/vansoc\/?page_id=24"},"modified":"2025-04-22T14:14:33","modified_gmt":"2025-04-22T11:14:33","slug":"programme","status":"publish","type":"page","link":"https:\/\/blogit.utu.fi\/vansoc\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\n
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Parallel Sessions<\/h2>\n\n\n\n
Parallel Sessions <\/strong>
24 April, 11:00-12:30<\/strong><\/td><\/tr>
Art as (Trans)Cultural Capital <\/strong>(Pub2)<\/td><\/tr>
Oliver Holme<\/td>Danish Social Art and Transcultural Exchange<\/td><\/tr>
Elham Etemadi (online)<\/td>Tehran Auction: The Commodification of Art and the Shift in Cultural Values<\/td><\/tr>
Elina Mikkil\u00e4<\/td>From Bankers to (Lebens)K\u00fcnstler<\/em>: Rethinking Capital in the Art(sy) Communities of London and Berlin<\/td><\/tr>
Social Documentary<\/strong> (Pub126)<\/td><\/tr>
Inessa Kouteinikova<\/td>Restoring Individual Dignity through Photography<\/td><\/tr>
Diletta Haberl<\/td>Visual Arts, Social Class, and the Via degli Abruzzi<\/em><\/td><\/tr>
Amelie Ochs (online)<\/td>Where We Stand<\/em>: Narratives of Social Documentary Photography and Visual Regimes of Class<\/td><\/tr>
Mirela Shella & Edlira Gugu (online)<\/td>Autofiction: Forms and Features in Albanian Literature<\/td><\/tr>
Aristocracy and the Other<\/strong> (Edu155)<\/td><\/tr>
Malena Rotter (online)<\/td>\u201cThe Most Extraordinary Dwarf that Ever was Seen\u201d. Questioning Social Advancement and Agency at the 18th-Century Court<\/td><\/tr>
Hannah Semsarha<\/td>Clashing Classes? The Joint Depiction of Artists and Commissioner in Renaissance Art<\/td><\/tr>
Mengfei Pan (online)<\/td>Warrior Class and Production of Art in the Early Meiji Japan (1868-1912)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Parallel Sessions <\/strong>
24 April, 14:00-15:30<\/strong><\/td><\/tr>
Yhteiskuntaluokka kirjallisuudessa<\/strong> (Pub2)<\/td><\/tr>
Joel Suontama<\/td>Yhteiskuntaluokka Harry Salmenniemen novelleissa<\/td><\/tr>
Suvi Sepp\u00e4l\u00e4<\/td>Taideteos yhteiskunnallisen aseman kuvauksen v\u00e4lineen\u00e4 Donna Tarttin teoksessa Tikli <\/em>(The Goldfinch<\/em>)<\/td><\/tr>
Eila Rantonen<\/td>Lakkojen kuvauksia kirjallisuudessa<\/td><\/tr>
Engagement <\/strong>(Pub126)<\/td><\/tr>
\u017deljka Miklo\u0161evi\u0107 and Patricia Po\u010dani\u0107<\/td>Digital Narratives – Reshaping or Reinforcing the Social System of the Art Museum?<\/td><\/tr>
Seda Pesen<\/td>Trusting One\u2019s Own Gaze. How an Excluded Class Came to Voice<\/td><\/tr>
Hee Sook Lee-Niinioja<\/td>Citizens\u2019 Subjective Understanding and Visitors\u2019 Objective Perceptions of the Finnish (In)Tangible Hierarchical Social Classes: Helsinki 24h on the Hernesaari Art Wall<\/td><\/tr>
Sami Siegelbaum<\/td>Underclass Performance in New York circa 1980: David Hammons, Tehching Hsieh, and Pope.L<\/td><\/tr>
Postcolonial Responses and Repercussions<\/strong> (Edu155)<\/td><\/tr>
Fiona Roberts (online)<\/td>Weaving Time<\/td><\/tr>
Ranjana Saha<\/td>\u2018Ideal\u2019 Mothers and \u2018Best\u2019 Babies: \u2018Scientific\u2019 Mothering and Child Healthcare Advice in Colonial India<\/td><\/tr>
Kalinca Costa S\u00f6derlund (online)<\/td>Modernismo <\/em>Versus the Academy in Brazil: A Case on Cultural Iconoclasticism as Political Emancipation of Minorities and Discriminated Social Classes<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Parallel Sessions <\/strong>
24 April, 15:45-17:15<\/strong><\/td><\/tr>
Art for Social Critique and Change <\/strong>(Pub2)<\/td><\/tr>
Arya Priyadarshini<\/td>Drawing the Unseen: Trauma and the Invisibility of Class in Zeina Abirached\u2019s Graphic Narratives on the Lebanese Civil War<\/td><\/tr>
Paula Friedericke Hartmann (online)<\/td>The Art of Remembering: Graphic Novels as Mirrors of Past and Present Trauma and Identity<\/td><\/tr>
Josh Schwartz (online)<\/td>\u201cSocial Fantasy:\u201d American Illustration and Social Class, 1880-1920<\/td><\/tr>
Driss Faddouli (online)<\/td> Narrativizing Social Class in Morocco: An Investigation of the Visual Aesthetics of Social and Emotional Precarity in Online Cartoons<\/td><\/tr>
Work and Labour<\/strong> (Pub126)<\/td><\/tr>
Sarah Horton<\/td>Sifting for Pips and Stalks<\/td><\/tr>
Somayeh Rashvand (online)<\/td>Precarious Smiles: The Invisible Labour of Diasporic Craftswomen in Contemporary Art Production<\/td><\/tr>
Nicola Foster<\/td> ‘Work’ and ‘Labour’ as ‘Art’ and ‘Maintenance’: The Work of Ukeles<\/td><\/tr>
Shaping the City<\/strong> (Edu155)<\/td><\/tr>
Selma \u0106atovi\u0107 Hughes (online)<\/td>Threads of Memory: Visual Narratives as (Re)Construction of Tangible and Elusive Collective Memory<\/td><\/tr>
Carolina Pecker Madeo (online)<\/td>Visual Narratives in Struggles for Justice and Good Living<\/td><\/tr>
Ana Iwataki (online)<\/td>Transpacific Artists in Los Angeles: Learning from 1984, Looking to 2028<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Overview schedule<\/h2>\n\n\n\n

Thursday<\/strong> April 24 <\/strong>(University of Turku + hybrid)<\/h2>\n\n\n\n

8:30-9:00 Coffee (Publicum 1st<\/sup> floor lobby)<\/p>\n\n\n\n

9:00-9:15 Introduction (Pub2)<\/p>\n\n\n\n

9:15-10:45 Keynote 1 (Pub2)<\/p>\n\n\n\n

10:45-11:00 Break<\/p>\n\n\n\n

11:00-12:30 Parallel sessions x 3 (Pub2 \/ Pub126 \/ Edu155)<\/p>\n\n\n\n

12:30-14:00 Lunch<\/p>\n\n\n\n

14:00-15 :30 Parallel sessions x 3 (Pub2 \/ Pub126 \/ Edu155)<\/p>\n\n\n\n

15:30-15:45 Break<\/p>\n\n\n\n

15:45-17:15 Parallel sessions x 3 (Pub2 \/ Pub126 \/ Edu155)<\/p>\n\n\n\n

18:00 Dinner<\/p>\n\n\n\n

Friday<\/strong> April 25 <\/strong>(Life on a Leaf, Hirvensalo)<\/h2>\n\n\n\n

9:30-10:30 Site tour<\/p>\n\n\n\n

10:30-12:00 Keynote 2<\/p>\n\n\n\n

12:00-13:30 Lunch<\/p>\n\n\n\n

13:30-14:45 Film screening<\/p>\n\n\n\n

14:45-15:00 Break<\/p>\n\n\n\n

15:00-16:30 Keynote 3<\/p>\n","protected":false},"excerpt":{"rendered":"

Parallel Sessions Parallel Sessions 24 April, 11:00-12:30 Art as (Trans)Cultural Capital (Pub2) Oliver Holme Danish Social Art and Transcultural Exchange Elham Etemadi (online) Tehran Auction: The Commodification of Art and the Shift in Cultural Values Elina Mikkil\u00e4 From Bankers to (Lebens)K\u00fcnstler: Rethinking Capital in the Art(sy) Communities of London and Berlin Social Documentary (Pub126) Inessa … <\/p>\n

Continue reading “Programme”<\/span><\/a><\/p>\n","protected":false},"author":16424,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-24","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/pages\/24","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/users\/16424"}],"replies":[{"embeddable":true,"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":12,"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":174,"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/pages\/24\/revisions\/174"}],"wp:attachment":[{"href":"https:\/\/blogit.utu.fi\/vansoc\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}