I was gonna write another essay on parasitism, not because I had a whole lot to say about that after the previous essay, except that reading Michel Serres’ ‘Parasite’ also gave me some heavy Baruch Spinoza vibes. I guess that’s worth it’s own essay, but, well, we’ll see if I ever get around to write […]
Tag: Serres
Talk is cheap
This essay was prompted by getting a flu and suffering through it, as you do, because there isn’t much you can do about it. Okay, it could have been another strain of COVID, or RSV, respiratory syncytial virus, as was they were making rounds recently. Anyway, it was … let’s say … not great. I […]
Support your global + Swerve
In my previous essay, I covered the introduction of recently published ‘Reterritorializing Linguistic Landscapes: Questioning Boundaries and Opening Spaces’ edited by David Malinowski and Stefania Tufi. In summary, I both agreed and disagreed with their statements. I was happy to see the work Gilles Deleuze and Félix Guattari being discussed in the introduction, but I […]
I’ve brought up what Gilles Deleuze calls an image of thought in ‘Difference and Repetition’ on a couple of occasions. To be more specific, in that book he (131) zooms into a particular image of thought, should we, perhaps, even say the image of thought, considering that, for most people it is the only image […]
What’s missing?
The second part of my previous essay did not venture into things, rather remaining on a more general level of discussion. I’ll see to this in this essay, covering Bruno Latour’s somewhat provocatively titled text ‘Where Are the Missing Masses? The Sociology of a Few Mundane Artifacts’. It was first published in ‘Shaping Technology/Building Society: […]
What’s playing who?
In this essay I’ll be covering something similar to what Gilles Deleuze and Félix Guattari elaborate in ‘A Thousand Plateaus: Capitalism and Schizophrenia’. The focus still very much on things, or rather, objects, as discussed by Michel Serres and Bruno Latour. Anyway, I’ll start by examining quasi-objects, as defined by Michel Serres in ‘The Parasite’. […]