As an EModGraL post-doc, I have lately been working on research into the visual devices of English sixteenth-century military manuals. I am interested in the information transmission devices of these works, the arrival of different types of visual tools to the English print, and the availability of these visuals to the English readership. The material is very fruitful, and during the last few months, while working on an article on the topic, I have published a blog post and held several talks on the various side tracks the materials inspired.
The blog post, titled Renaissance diagrammatics and the English Tartaglia, was published in Ramus Virens, a medieval studies blog of University of Jyväskylä. In the blog, I explore the practices of reproduction of Tartaglia’s image-diagrams in the 1588 English translation, focusing especially on the copying of the diagrammatic sections of the diagram-images.
Speaking at the Humboldt Kolleg in Helsinki, May 15, 2024.
I also spoke in two events in the spring. In January, I participated in 1500- ja 1600-lukujen tutkimuksen päivät in Oulu, organised by the Uuden ajan tutkimuksen verkosto. My presentation, titled “Cyprian Lucar, Niccolò Tartaglia ja ihmiskeho soveltavan matematiikan visualisaatioissa” (Cyprian Lucar, Niccolò Tartaglia, and the use of the human body in visualizations of applied mathematics), focused on the use of human figure as a part of geometric objects in the English translation of Tartaglia’s Quesiti et inventioni diverse.
In March, I spoke at the Humboldt Kolleg, an event intended for the dissemination of information across disciplines organized by Alexander-von-Humboldt-Club Finnland. The presentation, titled “Graphicacy and the Military Revolution in sixteenth-century England” discussed the influence – or the lack thereof – of the military revolution on the practices of military publishing in sixteenth-century England.
🖝 Remember to keep an eye out for the call for papers for the EModGraL conference! The CfP will be out later this month!
Our EModGraL team and other philologists at the Turku Department of English will be strongly represented at the ICEHL this year. The 22nd International Conference on English Historical Linguistics takes place at the University of Sheffield, 3 – 6 July 2023. Below we will give a brief overview of our papers to be delivered at the conference. For the full abstracts, see the book of abstracts published on the conference website.
EModGraL research
The conference programme includes three papers discussing research done as part of the EModGraL project.
Vice-PI Mari-Liisa Varila will give a paper entitled ‘Captions and caption-like elements related to graphic devices in early modern English medical texts’. She analyses the relationship of the text and the graphic devices and identifies the different purposes that captions and caption-like elements served in medical texts, such as identifying the device or providing the reader with instructions.
The paper by Aino Liira and Wendy Scase (University of Birmingham) will focus on various table-like elements and the vocabulary surrounding them (title: ‘Tables, lists, rules and accounts: Tabular “graphic devices” in Early Modern English books’). In this paper, they take a closer look at items which have been tentatively placed under the category of ‘unclear tables’ in the EModGraL data collection process, and aim to find out how such graphic items were conceptualised by early modern authors and book producers.
Sirkku Ruokkeinen’s paper ‘“With diuers Tables annexed for the present making of your battells”: Paratextual framing of graphic devices in sixteenth-century military works printed in England’ discusses the use and framing of graphic devices in sixteenth-century works addressing military strategy and education. She particularly focuses on the title-pages and paratextual front matter of the books, where the graphic devices were advertised and discussed in order to promote the work.
Other research
The EModGraL team members and our colleagues at the English department are involved in several interesting research projects, and we decided to take the opportunity to introduce these as well.
Hanna Salmi will give a paper closely related to the EModGraL research interests. The title is ‘“I think my self obliged to place three Figures here together”: Framing graphic elements in 18th to 19th century dance manuals’. In this paper, she draws into focus an under-researched genre of dance manuals, which featured many kinds of graphic devices and visual notation. To shed light on the use of these graphic elements which supported verbal dance instructions, she examines how they were framed and explained to the reader.
Scribal practices are discussed in a joint paper by Peter Grund (Yale University) and Matti Peikola, entitled ‘Colonial orthographies: Uses of the ampersand in the legal documents from the Salem witch trials’. Their research reveals that there were clear differences in how the recorders at the Salem witch trials (1692–3) used the ampersand and the Tironian et (⁊), as opposed to the written-out and. They also show that several linguistic and extralinguistic factors played into this variation. Their paper is part of a broader project on the orthographic features of the witch trial documents.
Sara Pons-Sanz (University of Cardiff) and Janne Skaffari’s joint presentation ‘Orrm’s French- and Norse-Derived Terms’ is part of a workshop focusing on the Ormulum, a sermon collection from the late 12th century. In this paper, Janne looks at the French-derived words, many of which represent the lexical field of faith.
The research project ‘Between Science and Magic’ (@titaraproject; PI Mari-Liisa Varila) is represented at the conference by Ida Meerto, who presents some results of her PhD study in a paper entitled ‘Genre and Subject Matter in the Use of Words for Witches in Old English Prose’. She focuses on a selection of the most commonly occurring words, discussing how the word choice depends on the genre or register of the text but also on the temporal and geographical setting of the narrative.
We’re looking forward to an invigorating conference experience and many interesting discussions on the history of the English language!
Text: Aino Liira & the authors named Photo: Johanna Rastas
Dr Janne Skaffari is a senior lecturer at the Department of English, University of Turku. He joined the EModGraL team in August 2022. In this post, Janne tells us more about how the topic of graphic literacies features in his research and teaching.
Dr Skaffari looking at 17th and 21st century grammars. Photo: Mari-Liisa Varila
How does your previous work connect to graphic literacies?
I think it was when the English Department’s Pragmatics on the Page team started working on the interplay of the linguistic with the visual that I first saw how relevant and exciting the visual – and also graphic – dimension was. We organised a symposium and edited a book together, and I keep returning to all things visual when I research, for instance, written codeswitching in medieval manuscripts.
What is your role and your main area of research in EModGraL?
I am the ‘grammar guy’, so I work on 17th-century grammar books and their graphic devices. Describing grammatical structures often invites graphic support.
Does the theme of graphic literacies feature in your teaching?
I see and utilise figures and tables all the time when teaching descriptive grammar. The model we use in the second-year grammar course is corpus-based, so frequencies and register differences are often presented graphically in the textbook, and it often makes sense to draw the students’ attention to the figures and tables, not just to the descriptions and analyses written in prose. As I also supervise theses, I often recommend explicating classifications and frequencies by graphic means. Quantitative results are often much harder to follow it they appear in sentences rather than in tables.
Why is studying early graphic literacies important?
We often think that the visual aids and graphic presentations we see around us are a new thing, and if not a brand-new thing, at least not something that goes back more than a couple of generations. However, tables and other graphic elements were used centuries ago, in quite early printed books but also before the printing press, when texts were manuscript rather than printed. Although things change all the time, there is a lot that does not disappear, even if the technology changes.
Has the project given you new research ideas regarding graphic devices or graphic literacies?
There is a lot of visual information in the early modern grammar books that is not explained; the readers were apparently expected to understand how tabular layout, curly brackets and the information in and around them should be read and understood. I am curious about these literacy skills. I would also like to trace diachronically the particulars of how specific grammar topics, such as the system of personal pronouns, have been presented in books over centuries, all the way up to the present. This is an area where I can bring what I teach together with my research interests.
We currently have two postdoctoral researchers working for the project. Sirkku Ruokkeinen started her research stint in July 2022. In this interview, she tells us more about her contribution to the project and her thoughts on graphic literacies.
Photo: Sirkku Ruokkeinen.
How did you first become interested in graphic literacies?
I have always been interested in liminal spaces, especially paratextuality. My interest lies in managing the reader, their expectations, interpretations, and the ways the text is used. The relationship between text and graphic elements is reminiscent of that between text and paratext. What is expected of the reader? What different ways of reading does the author prepare for? How are errors and subversive readings prepared for? How is the reader instructed?
What will be your main area of responsibility in EModGraL?
I will look into how graphic devices are used in paratextual material – whether they were used to promote the work, advance its sales, if the paratextual matter was used to instruct in their use. This analysis will contribute to an overview of the expectations book producers had relating to the graphic literacy levels of the English readership.
What is, in your opinion, the most challenging aspect of the project?
At this stage, given that I have only just worked at the project for a few months, choosing and refining topics of research seems most difficult. There is plenty that could be taken up for study.
Is there a specific domain or genre you look forward to investigating? Why?
I’m especially interested in seeing how the Playfair graphs1 (late 1700’s) and other new graphic elements were framed on title pages and other paratexts, how they were discussed and presented to the audiences. I’m curious to see if there was an expectation of understanding, especially if any of these graphs made it to texts which were intended for non-expert audiences.
Why is studying early graphic literacies important?
It informs us on the ways in which our thinking may have differed from that of late medieval and early modern readers. Models for representing information influence our thinking and understanding of the world.
Sirkku Ruokkeinen & Aino Liira | Twitter: @proemium, @penflourished
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1. William Playfair (1759–1823) is considered the inventor of several types of statistical graphs, the pie chart among others.
Playfair’s 'The Commercial and Political Atlas' (3rd ed. 1801), with references for further reading, is available at: https://archive.org/details/PLAYFAIRWilliam1801TheCommercialandPoliticalAtlas/page/n75/mode/2up
The first-year mark of EModGraL is fast approaching. Dr Mari-Liisa Varila, the Vice-PI of the project, has recently completed her postdoctoral research stint. We interviewed her about her past and future work for the EModGraL project.
Photo: Mari-Liisa Varila
Dr Varila, your research stint in the project has recently come to an end. What have been some of your main tasks or responsibilities in EModGraL?
I participated in designing the EModGraL data collection procedure, and I collected data from incunabula and 16th-century books. Much of my time was spent on research and writing, but I also taught a three-session MA module on the project theme. I’m also the vice-PI of EModGraL and lead the work package focusing specifically on medical texts.
Your work as the vice-PI of the project continues and a part of your working hours as lecturer will be devoted to the project. What are some of the things that you will continue to work on?
I’ll continue to work on the medical texts work package. This autumn I’ll be focusing on an article on graphic devices in printed medical texts in 1500–1700, co-authored with our collaborators Jukka Tyrkkö and Carla Suhr. I’ll also continue to work on some other aspects of the project, as well as publications, including an edited volume and an article on our project methodology.
What has been most exciting about the project?
I’d say the most exciting part thus far has been getting to go through thousands of facsimile images of early printed books (including e.g. all incunabula on Early English Books Online) in search of graphic devices. It’s always exciting to consult primary sources, be it in situ or via a digital surrogate. I’m also very much looking forward to the results of our diachronic survey of graphic devices up to 1800 and to finding out more about the discursive strategies of book producers in presenting graphic devices and instructing the reader in using them.
Did anything unexpected or surprising come up? Did the project provide you with new research ideas regarding graphic devices or graphic literacies?
I’m not sure I would use the word ‘unexpected’, but it has definitely been interesting to see the distribution of different types of graphic devices in our data thus far, and I’m looking forward to finding out more about the relationship between graphic devices and genre / target audience. It’s also been fascinating to see some examples of devices that do not quite fit in with present-day conventions and definitions of graphic devices, and I’m hoping to take a closer look at some of these in the future.
Do you have any reading recommendations related to early graphic literacies and/or graphic devices?
This is such a multidisciplinary field that it is difficult to give just a few recommendations – it would have to be a lengthy reading list. But I would say one benefits from reading widely and being open-minded. One article I enjoyed reading last year was Elizabeth Rowley-Jolivet’s study on ‘The emergence of text-graphics conventions in a medical research journal: The Lancet 1823–2015’ (ASp, 73). Although both the medium and date of Rowley-Jolivet’s primary materials are outside the scope of EModGraL, I found that the analysis was very relevant for our interests. Since I usually focus on late medieval and early modern materials in my own work, I might not even have spotted this paper were it not for the project.
Mari-Liisa Varila & Aino Liira| Twitter: @mlvarila, @penflourished
Arguably, there is no better time to visit a Nordic country than late May. It’s starting to get lush and green again after the long winter, and people seem to have more spring in their step. After two years of isolation due to the pandemic, it definitely felt exciting and fun to be able to travel again.
Linnaeus University campus, Växjö
I had the pleasure of visiting the Department of Languages at the Linnaeus University, Växjö, Sweden for a week to collaborate with Prof. Jukka Tyrkkö on EModGraL research. Originally, I was supposed to be in Sweden for several months, but the pandemic turned my mobility period into a mostly virtual one. Prof. Tyrkkö and I have been meeting on Zoom throughout this spring, so it was nice to be able to actually visit Växjö at least once.
Prof. Tyrkkö and I have mostly collaborated on two topics: the quantitative methods used in the EModGraL project and the case studies related to graphic devices in early medical writing (work packages 1 and 2 of the project). During my stay in Växjö, we gave a joint seminar paper on the EModGraL project in the Higher Seminar for Languages. I met several colleagues from the department, many of them working on topics related to translation studies or teaching/learning English. I also learnt the basics of JMP (statistical software).
Evening walk from campus to town centre. Photo: MLV.
Although it would have been nice to stay in Växjö longer, this experience proved that a mainly virtual mobility period can still be very useful. My previous long stays abroad have mainly consisted of working in libraries holding special collections, and in those cases, it would have been impossible to replace an actual visit with Zoom calls. This time, Prof. Tyrkkö and I mostly collaborated on methods and joint publications, which could be done reasonably well on Zoom. We also talked about the university and how things are run there, so when I was finally able to visit, I already knew a lot about the department.
I would definitely recommend this kind of virtual mobility for those situations where it makes sense. By virtual mobility I don’t just mean a random Zoom call but rather sustained collaboration over a specific period, for example three months or a year, focusing on a specific topic or research project. Virtual mobility is also sustainable and affordable, and may sometimes be more feasible for researchers with family.
Växjö Cathedral and Teleborg Castle. Photos: MLV.
Having said all that, there are obviously many things that cannot be done via Zoom. Chatting with colleagues over coffee or bakad potatis med skagenröra, spontaneous lakeside walks, campus tours, quick visits to local tourist attractions, and other such experiences are not easily replaced by virtual substitutes. I’m very glad to have been able to visit Växjö this month, and I’m grateful to Prof. Tyrkkö for all his help and hospitality before and during my stay.
Dr Aino Liira’s two-year stint as a postdoctoral researcher begun in January 2022. In this interview, she tells us more about her research interests and work for EModGraL.
How did you first become interested in graphic literacies?
The combination of visual and linguistic aspects of texts is what got me interested in academic research in the first place. I have previously mainly worked with paratexts, that is, elements such as titles or indices which surround or even overlap with the “main text” but are not quite part of it. I’m likewise interested in other phenomena regarding textuality, such as the intersection of the physical and the abstract, and the different roles played by the producers and the readers of texts in shaping the book. When working with paratexts, practical tools like tables (of contents) and indices grabbed my attention. I find it particularly fascinating when text producers modify these elements for new editions (or manuscript copies), and/or give instructions to readers on how to use them.
It’s early April and we have almost as much snow as back in January when I started working for the project! (Photo & caption: Aino Liira.)
What is your main area of responsibility in EModGraL?
I’m currently working together with the rest of the team, collecting data and immersing myself in the complexities of analysing and classifying the various types of graphic devices we come across! Later on, I will be in charge of one of the “work packages” focusing on graphic devices in their material context of the page. In practice this means that we will, for example, study the metadiscourse surrounding the elements (how the devices are referred to in the text) and the technological aspects of producing graphic devices, such as choices made by printers. I’m also interested in handwritten additions or notes left by readers, and hoping to find evidence of this by looking at physical copies of books.
What are you most excited about regarding the project?
The chance to familiarise myself with new research material and to encounter new, exciting types of graphic devices. This is also my first time in participating in a larger research project – working as part of a team is exciting and rewarding in itself! The first workshop we had with our collaborators in November was extremely stimulating, and I enjoy our weekly meetings with the team members where we often take a look at problematic cases and interesting findings together.
Working from home during the pandemic: eager assistants always around, ready to inspect my notes or to interrupt my Zoom calls… (Photo & caption: Aino Liira.)
Is there a specific domain or genre you look forward to investigating? Why?
I’m more excited about the chance to see a variety of domains and genres, and potentially discover differences between them. My PhD revolved around a single work, a universal chronicle titled the Polychronicon, and I admit I’m curious to see what kind of graphic devices can be found in other books of history. I’m currently working together with PI Matti Peikola and Prof. Marjo Kaartinen to examine visual representations of time or chronological events in late medieval and early modern English books.
Why is studying early graphic literacies important?
Research on graphic devices gives us insight into various aspects of early modern book culture: print technology, textual practices (for example, how the structure of information is made visible through the use of certain graphic conventions such as braces), variation and patterns of change within genres, and so forth. Prose text is not always the most effective way of conveying information. It’s interesting to see what kind of solutions authors and book producers have come up with to transmit complex information that requires visualisation, for example when the reader is expected to identify relationships between concepts. Studying the distribution and variation of graphic devices increases our understanding of early modern reading culture and how a vernacular like English gained ground as a language suitable for transmitting specialist knowledge.
Aino Liira & Mari-Liisa Varila | Twitter: @penflourished, @mlvarila
I started working as a research assistant in Early Modern Graphic Literacies in November 2021. Almost four months have gone by since then – surprisingly fast – so it is high time for me to introduce myself.
I am currently finishing my master’s degree in Finnish Language at the University of Turku. The Department of Finnish and Finno-Ugric Languages in Turku has a long tradition of historical linguistics, so I got acquainted with the early forms and development of literary Finnish already during my bachelor’s studies. I ended up writing my BA thesis on the language of Mikael Agricola, often called “the father of literary Finnish”, using data from the Morpho-Syntactic Database of Mikael Agricola’s Works created at our department.
Last summer, I did an internship at the Institute for the Languages of Finland, working on the digitisation of the Postilla of Ericus Erici Sorolainen, a book of sermons published in the 1620s. The digitisation project is based on AI-powered text recognition and it is part of the work of the Dictionary of Old Literary Finnish and its related corpus, the Corpus of Old Literary Finnish. You can read more about the project in a blog post (in Finnish only) I wrote at the end of my internship and find a short English introduction to Old Literary Finnish at the Institute’s website.
With a background in Finnish instead of English studies, it has been fascinating, at times challenging, but ultimately very rewarding to jump into a project in a neighbouring field. My previous experience being mostly language-focused, working in the EModGraL project has also drawn my attention more to the material aspects of books. It has been a delight to see the range of genres in the project data as well – Finnish texts published before the 19th century tend to be either religious works or legal translations.
One of my favourite aspects of working with early modern texts is the perspective you gain into the historical and cultural context of the time period along the way. So far, I have completed classifying the data from the year 1596. The ongoing Long Reformation in England can be seen in anti-Catholic works, e.g. in the ex-Catholic priest Thomas Bell’s The suruey of popery, in which poperie is turned vp-side downe. The European exploration and colonisation of the Americas is evident in books such as Sir Walter Raleigh’s famous The discouerie of the large, rich and bevvtiful empire of Guiana, an account of his El Dorado expedition in 1595.
“A priuie in perfection” from John Harington’s The Metamorphosis of Ajax. Source: The Metamorphosis of Ajax, a Cloacinean satire: with the Anatomy and Apology … To which is added Ulysses upon Ajax / [Sir John Harington]. Wellcome Collection.Public Domain Mark.
Perhaps the most interesting work in the 1596 data is Sir John Harington’s A nevv discourse of a stale subiect, called the metamorphosis of Aiax. In this work, Harington describes his brand-new invention, the flush toilet. It is a bit of a wild ride, with plenty of biblical and classical references, and it caused quite a stir after its publication due to its coded political messages. The book can be conveniently found and read on the Ex-Classics website for anyone willing to take a look.
I’m now working on data from year 1696. In a hundred years, the number of works in the data has exploded: from about 250 (excluding duplicates and reprints) in year 1596 to over 1400 in year 1696. I look forward to seeing what surprises the project data still holds!
The Early Modern Graphic Literacies team is looking for a researcher interested in collaborating with us through the Marie Skłodowska-Curie Actions programme (host institution: University of Turku, supervisor: project PI Matti Peikola). The candidates are evaluated by the supervisor in collaboration with the University’s Research Funding unit, and help is available for the MSCA application process for the selected candidate.
The University Hill (photo: Mari-Liisa Varila).
We are looking for an MSCA Postdoctoral Fellow in English studies with a specialisation in historical linguistics, book studies or textual scholarship to join EModGraL for two years to investigate early modern English graphic literacies and practices with us. The research to be undertaken by the MSCA Fellow may address any of the three main research objectives of EModGraL (or combine them in a meaningful way):
1) to map the distribution of different types of graphic devices in different kinds of books and to develop a new framework for their classification
2) to determine how target audience and topic influence the use of graphic devices; and
3) to establish how linguistic information and graphic devices work together in the context of the page and the whole book, for example through captions and reader instruction.
We particularly encourage postdoctoral projects that address texts in the domains of early modern science or mathematics and projects that focus on practical guidebooks or manuals in any field or domain. The dataset collected by the EModGraL project will be made available to the MSCA Fellow for the duration of the fellowship. The applicant’s precise research topic will be formulated in collaboration with the supervisor.
The deadline for expressions of interest is 23 March 2022. Please see the University website for the eligibility criteria and instructions on how to apply. Details concerning the EModGraL project specifically can be found on the same website under Social Sciences and Humanities > Early Modern Graphic Literacies (pdf). More information on the project can also be found in this project blog.
Matti Peikola is Professor of English at the Department of English, University of Turku. He is also the PI of Early Modern Graphic Literacies. In today’s blog post, Matti tells us more about the background and aims of the project.
Team members currently work in the Rosetta and Signum buildings of the campus (built in 1899). Photo: Mari-Liisa Varila.
How did you first become interested in graphic literacies?
In the mid-2000s, I was working on Middle English tables of lections that are found in many manuscripts of the Wycliffite Bible. Although I was at that point primarily focusing on the textual transmission of these tables, my interest was piqued by the long opening rubrics (canons) of some of the tables that inform and instruct the reader about how information is structured and visually presented in them. In some of the tables, however, no such rubrics occur, which made me wonder about possible ‘graphic literacy’ -related reasons for their inclusion/omission.
Whose graphic literacies will the project investigate?
In practice, the project investigates early modern book producers’ and writers’ ideas about graphic literacies of their vernacular audiences and readers. In the project, we assume that these ideas are conveyed by book producers’ and writers’ adoption of different kinds of graphic devices in their books and their discussion of such devices in text and paratext.
What is, in your opinion, the most challenging aspect of the project?
It will be challenging to arrive at a classification of the early modern graphic devices that is not anachronistic and too reliant on modern typologies. We should approach the devices from their historical context(s) and take into account technological factors that constrain their use in early modern printed books. The classification also needs to be amenable to quantitative data analysis.
What kinds of material will the project explore?
We examine digital facsimiles of all books published in English in twelve sample years from 1521 to 1796 (at 25-year intervals). The materials are primarily accessed via the EEBO (Early English Books Online) and ECCO (Eighteenth Century Collections Online) databases. The purpose is to record all books published in these years that contain graphic devices like tables and diagrams, and then investigate this dataset and its subsets quantitatively and qualitatively in various ways.
Why is studying early graphic literacies important?
Early modern graphic devices have so far been largely examined in Latin scientific writing by historians of science. In this project we examine texts of multiple domains and genres and focus on how graphic devices were accommodated to different kinds of vernacular audiences. The linguistic and philological dimension of this historical process is particularly important for us, and it has not been systematically addressed before. We are essentially looking for traces of different kinds of early multimodal literacies and how they were communicated by book producers and writers.
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